With my online exhibition now in its third week (see it here), the crush of completing the work and photographing it, getting the word out, is largely behind me; most of the responses I can expect have come and gone, as life returns to its quotidian ripples. I've thought of all my other artist friends who work toward shows, mount exhibitions, put out the press, and then take it all down and start again. Our productive lives are necessary to us and so unnecessary in the grand scheme; or that is how it seems. I am reminded of the admonishment by Lao Tzu in the Tao te ching: To live long, be of no use.
Ravenna Taylor, "Instrumental Dwellings 2," 2012, collage, 13.5 x 14 inches |
"Ocean of Earth," Guillame Apollinaire
to G. de Chirico
I built a house in the middle of the ocean
Its windows are rivers which flow out of my eyes
Octopus stir all around its walls
Listen to the triple beat of their hearts and their beaks which
tap on the window panes
Humid house
Burning house
Rapid season
Season which sings
Airplanes drop eggs
Watch out for the anchor
Watch out for the ink which they squirt
It's a good thing you came from the sky
The honeysuckle of the sky climbs up
The earthly octopus throb
And then we are closer and closer to being our own gravediggers
Pale octopus of chalky waves O Octopus with pale beaks
Around the house there is this ocean which you know
And which is never still
This translation was found online via Birds, Beasts, and Seas: Nature Poems from New Directions, by Jeffrey Yang.
Reading this poem, it seems as though your piece was made in response to it. Each enhances the other. It's a beautiful partnership.
ReplyDeleteIt really is as if one had been made upon seeing the other, and the "influence" might be read from either direction. I'm amazed and slightly awed by the sense of comraderie with a poet of the 19th C., whose work I haven't read. I write poetry, and read poetry; but I haven't studied poetry and am not well cultivated in its movements and history. But I feel about this poem a little as I feel when standing in front of a painting by Cezanne, looking at the little marks from his brushes and imagining his arm as he made them, knowing what that feels like.
Delete:D ...divine...
ReplyDeleteThis is wonderful.
ReplyDeleteI have to share this whole thing with my family/ all half sea creatures.
ReplyDeleteWonderful collage
ReplyDelete